October ’25 | WOLVES OF THE CALLA

Thanks for Reading!

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

My debut Southern Dark Fantasy novel BEYOND THE RUINED NIGHTS is officially OUT!

It’s available literally everywhere books are sold. Want my recs?

Get the Ebook here: Campfire 

Get Paperback and Hardback here: Bookshop.org 

Can’t afford to buy a copy? I’m happy to announce that my book is also available on HOOPLA through your local public library!

I’ve also updated my website to highlight my short fiction! Head on over! 

Project Progress:

I’ve made a little more progress on book 2! I’m at around 70%. Slow and steady and all that. 

Recent Fascinations | The Fiction Books that Made Me #10: WOLVES OF THE CALLA

Want to understand what this series is? Go Here 

“I wanted to say goodbye to someone, and have someone say goodbye to me. The goodbyes we speak and the goodbyes we hear are the goodbyes that tell us we´re still alive.”

How fitting that we start this series with not only a Stephen King novel, but a DARK TOWER novel. THE DARK TOWER V: WOLVES OF THE CALLA. While this isn’t the only King book that I’ll be talking about in this series (there’s four and I’m not sorry), it is the only DARK TOWER novel that made my list of 10. For some of you that know me (and know me very well, ya ken?), this might be a surprise, so let me explain. 

THE DARK TOWER is, without any exaggeration, my favorite series of all time. There is seldom a day that the series doesn’t cross my mind in one way or another. I measure myself against it, I measure any new series I read against it. If taken as a whole, the series would be number one, far beyond anything else that is on this list, but I did not consider the series as a single work, and instead was tasked with picking my single favorite book. WOLVES won out, after very little deliberation. In consideration of this list, and how much impact they have had against me, I decided to place it at 10, because that’s where it feels most right when taken on its own merits and the rest of the context of the series is removed. 

So then, what makes WOLVES my favorite of the series? And beyond that, what makes it so important to me? Let’s tackle those one at a time. 

I am, to put it lightly, a huge fan of Westerns. Exactly why, and to the extreme degree with which, I love this genre will be discussed in great detail in a later entry of this series, but this fact influenced my love for WOLVES a great deal the first time I read it. While the western motif is carried through the entirety of THE DARK TOWER series, no book does so more openly, more directly, than WOLVES OF THE CALLA. The book is King’s interpretation of the famous, and often imitated, Akira Kurosawa film SEVEN SAMURAI, which was remade as the landmark Western THE MAGNIFICENT SEVEN in 1960. While I respect the original, the American Western version of the story has been one of my favorite movies for as long as I can remember, a love that was passed down to me by my father. WOLVES is an adaptation of this motif, the gathering of the “seven”, the outsider bandits that have tormented the little town for generations, this time in the form of…well. 

Doombot werewolves throwing Green Goblin-esque bombs inspired by the snitch from Harry Potter. 

Look, I didn’t say the book wasn’t also very, very silly. Beyond this thematic connection to one of my favorite movies, and in my opinions one of the best motifs in all of fiction, WOLVES is also a stealth sequel to one of my favorite King novels (one that did not make this list but all the same lives in my heart), SALEM’S LOT. I won’t go into exactly how it works as a sequel, but it does so in an exciting and unique way that really works for me as a reader, but more importantly it gave me a lot of ideas as a writer. 

That leads me to the second piece of this particular story that ended up making it so important to me: the inspiration it gave me to work on my own series, THE SONG OF CALARINE. My books, short stories, and other fictional works all take place in a single shared cosmos. I hesitate to use the word “multiverse”, in no small part because of how Marvel oversaturated the world to that idea, but in essence that is exactly what it is. BEYOND THE RUINED NIGHTS, my recent debut Southern Dark Fantasy novel, is set in the same world as my short stories, though divided by the veil of the universes and eons of time. While from the earliest moments it is clear that the DARK TOWER takes place in a universe of many worlds, “There are other worlds than these,” after all, it was WOLVES that showed me just how far that idea could be taken. While the following two books, SONGS OF SUSANNAH and THE DARK TOWER took the idea even further, it was the little weird western featuring a malfunctioning robot, a catholic priest, and a frisbee slinging, wheelchair bound badass that told me one absolute truth: write what you want, just make sure it kicks ass. 

At the end of the day, that’s why WOLVES OF THE CALLA took the number 10 spot when so many other books could have ended up here. Some books remind us of our fathers, of the little joys in life. Of Steve McQueen with a sly grin and a fast gun. Most of all, of the worlds possible, both those around us and those within us. 

What more can you ask from a book than to show you what lies ahead at the same time that it shows you what you’ve left behind?

Ya ken?

Thanks for reading, Sai. Long days and pleasant nights. 

September ’95 | Finally Something New

Thanks for Reading!

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

My debut Southern Dark Fantasy novel BEYOND THE RUINED NIGHTS is officially OUT!

It’s available literally everywhere books are sold. Want my recs?

Get the Ebook here: Campfire 

Get Paperback and Hardback here: Bookshop.org 

Can’t afford to buy a copy? I’m happy to announce that my book is also available on HOOPLA through your local public library!

I’ve also updated my website to highlight my short fiction! Head on over! 

Project Progress:

September has been very busy because of my day job, so I’m sorry to say that I haven’t made any progress on book 2. It’s still sitting at around 65%. 

Recent Fascinations: The Fiction Stories that Made Me | Introduction and Honorable Mentions

Now that I’m finally on the other side of my debut novel coming out, I feel like I can direct some attention to a different topic that has been on my mind for a while, the stories that have really shaped my writing and my perception of the world. 

I had the idea for this project a while back, I think as far back as May, but knew that I didn’t have the time or the energy to devote to it. I’ve talked before about my favorite books of all time in some light detail, but I’ve never really sat down to examine what my most cherished stories mean to me, how they shaped my personality and my writing, or how my perception on them has changed over time. 

So, now that I’m on the other side of my book’s launch, I want to officially set out and tackle this series of posts. It will be month by month between now and next August, totalling out 12 posts. 

This post will discuss my honorable mentions. 

Then each month for 10 months I will examine my 10 most cherished fiction novels, what they mean to me, and how they’ve influenced me. 

Then, in a final post, I will discuss my “dishonorable” mentions, examining a few picks that I can’t deny influenced me, but, because of one reason or another, I really wish they hadn’t. 

So, that’s enough introduction. Let’s get on with it, huh?

Honorable Mentions

As I started putting together my top 10 list, I realized there were a lot of major influences on my life I couldn’t, for one reason or another, include in that main list. So, instead of tackling them month by month, I’m going to lay out all of the “almosts” here, how they’ve influenced me, and why they didn’t make the cut.

These are in no particular order. 

1. THE LAST APPRENTICE Series, by Joseph Delaney

How It Influenced Me: This series was probably the only YA series I really got into in high school. As a school-aged reader, I, admittedly insufferably, spent most of my time reading classics, literary fiction, and Stephen King. I have no real memories of landmark YA series making any significant impact on me, except this one. I never finished it, the series wasn’t finished and my high school library was very slow about acquiring books, but I loved what I did read, and Delaney’s interweaving and reexamination of traditional English folklore heavily influenced what I do with Southern Folklore in my own work. 

Why I Didn’t Include It: I didn’t finish it then, and I have never gone back to it. Though, since Delaney passed a few years ago, maybe it’s time I finally revisit this and see if it holds up to my modern tastes.

2. The Fiction of Louis Lamour

How It Influenced Me: Boy howdy, where do I start with this one. It’s bold, I guess, to claim an entire bibliography as an influence. I started to choose a series, like THE SACKETTS, or a single work like HONDO, but in the end I think it is just Lamour as a writer that rests most firmly in my mind as an influence. My father, who for most of my life as a kid and a young man was a trucker, was a collector and reader of Louis Lamour. I grew up on his stories, on the adaptations of his stories, on the importance of those pulp western masterpieces. His depiction of nature, of the dichotomy of good and evil have had huge influences on me, but most of all it was the experience of growing up watching my dad read those little novels that led me to my life as a reader. 

Why I Didn’t Include It: I think this one speaks for itself from what I’ve already said. I couldn’t decide on a single work that truly influenced me, and instead it is that I grew up around those old books. I still have most of them, given to me by my dad after he decided he was done with them. In one way or another, Lamour will always be with me. 

3. The Fiction of H.P. Lovecraft

How It Influenced Me: Once again, I have included an entire bibliography here. This one, I will admit, almost ended up in the “dishonorable mentions”, and maybe it should have, but at the end of the day I couldn’t bring myself to put it there. Yes, Lovecraft was a reprehensible monster of a man, a deeply complicated man who seemed to struggle with mental health and his own sexuality, but regardless of any of that was profoundly racist, even by the measure of his day. However, much like Stephen King has often said, I cannot deny the influence that Lovecraft’s writings have had on me. I was very young, around 13, when I read Rats in the Walls for the first time, and it changed how I conceptualized horror and character writing even before I understood that I was conceptualizing those things. The entirety of my writing life has stood in the shadow of Lovecraft, so, despite his horrible flaws, I will give him this single moment of merit. 

Why I Didn’t Include It: This time it wasn’t quite the same as Lamour. I could have easily included “Rats in the Walls” or “At the Mountains of Madness” in the works that most influenced me, but I chose not to. While Lovecraft has undeniably influenced the color and timbre of my writing, I also often try to distance myself from his style intellectually because of just how horrible of a person he was.

4. THE WHEEL OF TIME, by Robert Jordan

How it Influenced Me: I think, if I were to be fair to myself and why this series is here, it should say “How it IS INFLUENCING Me”, because I am currently still in the process of reading this series. Even though, as soon as I started reading it, I knew it would change how I look at fantasy as a genre and what is possible with long-term storytelling. Though I started BEYOND THE RUINED NIGHTS before I ever started reading Jordan’s series, his work has already begun to influence my writing, and I am confident it will continue to do so. 

Why I Didn’t Include It: Because I haven’t finished it! While its influence on me is already apparent, at least to me, I am not yet ready to claim Jordan as a major influence. Who knows, if I redo this list in ten years time, it could be that Jordan makes his way to the main list. 

5. THE OUTSIDERS, by S.E. Hinton

How It Influenced Me: This one is interesting for a number of reasons. Most notably, it’s because I can’t REALLY say that Hinton’s book influenced me in any particular way. While it was one that I, and many other American children, read in highschool, and I did love it, I don’t see any real way that it found its way into my personal writing style. Instead, this book represents a larger figure in my literary life. My 11th grade English teacher, Mrs. Aultman used THE OUTSIDERS for a very particular lesson in her class: a discussion of banned books. It was in that class that I came to understand what censorship was, why it happens, and what I could do about it. For that, I’ll forever be grateful, and it is a lesson that is forever attached to Hinton’s novel in my mind. 

Why Didn’t I Include It: I think the reason here is obvious! Because the book itself wasn’t necessarily a major influence on me, but instead it more represents a moment of my life where I started to think about books in terms of power and structure of meaning, to get a little academic. 

6. THE REGULATORS, by Richard Bachman (Stephen King)

How It Influenced Me: Come, see this very well. A child, for one as he is can only be called a child, finds on the shelves of his library a book, and within that book was a world unknown, a path taken. Come, for there are other worlds than this, but this one is ours. Anyway, THE REGULATORS, the belated Bachman book that serves as the Twinner story to DESPERATION, was the first Stephen King novel I ever read. 11 years old, I found the thing on the shelves of the school library, and nothing was ever the same. I don’t think I need to say more than that.

Why I Didn’t Include It: While it was my first, it wasn’t my best, if you catch my drift. I still love this book, but there are other, more important King books in my personal cosmos. Don’t worry, we’ll talk a lot about Sai King in the months to come. 

Those are them, and these are all there are. Can’t wait to get started on the meat of my biggest influences. 

Thanks for Reading. 

August ’25 | IT’S ALIVE

Thanks for Reading!

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

My debut Southern Dark Fantasy novel BEYOND THE RUINED NIGHTS is officially OUT!

It’s available literally everywhere books are sold. Want my recs?

Get the Ebook here: Campfire 

Get Paperback and Hardback here: Bookshop.org 

Can’t afford to buy a copy? I’m happy to announce that my book is also available on HOOPLA through your local public library!

I’ve also updated my website to highlight my short fiction! Head on over! 

Project Progress:

Alright, finally some real updates to this! 

Now that BRN is out, I can focus fully on Book 2. I am about 65% through the rough draft of book 2. 

Once I finish the RD of 2, I’ll be setting it aside to rest and editing my Horror Novel Project!

Recent Fascinations: IT’S ALIVE, BEYOND THE RUINED NIGHTS, OUT NOW!

When I started this newsletter and blog almost two years ago, BEYOND THE RUINED NIGHTS wasn’t even under that title yet. Now, my debut novel is officially out there. It’s living on the shelf at Lemuria Books in Jackson, MS. It’ll be in other local stores soon. It’s on bookshop.org, Barnes and Noble’s website, it’s in a lot of places, alive and breathing. 

Aspiring no more, I am a published novelist now. 

It feels strange, not necessarily exciting, but instead more gratifying than I ever imagined. I can still remember being in eighth grade, telling my friends I would be a writer one day. I can remember being a Sophomore in high school, my geometry teacher ripping a page out of my notebook where I was working on what would become my first completed novel draft. She didn’t do it out of any hatefulness, I actually really loved her, but because I was SUPPOSED to be working on an assignment. 

The call to write was always too much, always too distracting. 

The next year, I would finish another novel draft, a dystopian sci-fi thing where each character was based on someone I knew. 

A year later, another.

This became the standard for me, until I slowed down in college, writing only two unedited rough drafts across my seven years of college education. Across the years, a few key people have read these drafts, even that first, horrid thing, but none of them will ever be published. They live instead “in the trunk”, like so many other stories by so many other writers. 

All in all, BRN is my fifth completed work, it is the only one I’ve ever seen through to editing, to true completion. The only one strangers have read. It is the book that has made me a novelist in every sense of the word. 

It also is the one that tells me, with a degree of absolute certainty, that I can’t rest on my laurels. Already, people have asked me, “So it says ‘book 1’, how many will there really be?”, and already I am having to tell them the truth. 

Nine. 

The SONG OF CALARINE is conceptualized in my head as a trilogy of trilogies. 

The first, showing Sarah’s discovery of the Belhaven and the fight to keep it. 

The second showing the gathering of allies for what’s to come. 

The third showing the war for Calarine and the fate of the Empire. 

These stories, at least in my mind, are not the only ones I have in me, but they are the most important. So, to realize them, I have to remain dedicated. How long before the next one?

Well, I guess the only answer I can give is, as fast as I can manage.

So, I guess I’d better get to work.

Thanks for reading.

July ’25: Final Month of Waiting

Thanks for Reading!

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

BEYOND THE RUINED NIGHTS is now available for preorder. You can see the announcement here.

It’s available everywhere you buy your books. 

Want my recommendation on where to preorder?

Get the Ebook here: Campfire

Get Paperback and Hardback here: Bookshop.org

Project Progress:

Publication of BEYOND THE RUINED NIGHTS is on track! 

Still not much progress on book 2, far too distracted. 

All other projects are still on hold. 

Recent Fascinations: The Final Month of Waiting

What else could I talk about in July other than the coming storm of August?

I thought about starting a new running series, a month by month breakdown of the books that have shaped me, but as I sat down to start working on this month’s newsletter, I found it impossible to think of anything besides AUGUST. 

Next month, my book comes into this world, despite the screaming, the tears, the mental breakdowns that have happened since I first put words on the page back in 2021. Despite the continued chaos in the world around me, my little beautiful story about found family and Mississippi and standing up for what you believe in will come into this world on a hot Summer Saturday. What more could I have ever asked for in life than this?

At this point, the trepidation is beginning to give way to pure excitement. I can’t wait to sit across a table from potential readers, pitching my book to them. Even if it is just a handful of them, even just one, I know that that feeling will be an absolute life changer. Still, of course, I am also feeling that constant growing sense of terror. One person would be an honor, but what will NO people be? Is that possible, even though I have done everything that I can. I don’t think that there’s any real risk of my launch being so catastrophic, but of course logic isn’t quite the ruling emotion during something as momentous as a debut novel. 

In this moment before the release of my novel, though, I struggle to find something to say that I haven’t said so far. I’ve talked about my plans, what I hope to accomplish, the processes that brought me to self-publishing. At this point, I think the main thing I haven’t talked about yet is the primary inspirations that brought BEYOND THE RUINED NIGHTS into being.

One of the great frustrations of any author is the perennial question “Where do you get your ideas?” This will not be an exploration of where I got the “idea”, as if there could ever be a single origin point, but instead an exploration of the more nuanced influences that are present in the pages of BEYOND THE RUINED NIGHTS. This will be spoiler free, and will focus on big picture ideas. In order to break it up into more manageable concepts, I’m going to talk about my inspirations on the various elements of the book. Starting with: 

Setting:

I think that out of everything, this is the most obvious to anyone who goes into the story knowing me. The setting of BRN was inspired by, top to bottom, the Jackson Metro. 

At the time I started writing the book, I was not living in the metro, but had just started working in Downtown Jackson for the State Legislature (god help me what a hell of a job that was), and the surrounding area was front and center in my mind. 

However, anyone coming into the story with any concrete knowledge of the metro will recognize immediately that something is off. The names “Calarine” and “Varinz” are, as far as I know, made up and not inspired by anything from reality. While local landmarks are referenced, nothing is exactly as it should be. There is no “Risen Range” outside of the metro. 

For me, exploring the region through this process of manipulation and change was an absolute blast, and by far the best part of writing the book. 

However, there is one big part of the setting that might, for local readers, stand out like a sore thumb. 

The Belhaven. 

For readers not from the Jackson Metro, the name Belhaven might not mean much. For locals, though, Belhaven is a neighborhood and university in the area. However, astute readers will notice that it is categorically impossible for any library at Belhaven university to BE the Belhaven of BRN. What exactly IS the Belhaven’s history, and more broadly, why is this area called the Calarine Ruins instead of some other identifiable part of the Metro? Well, I’d say just read the books, but I’m afraid those particular mysteries won’t be explored for a few more entries in the series. I will give a concrete statement that: The Belhaven of BRN is not Belhaven University, or anything in Jackson. Geographically, the university, and Calarine as a whole, do not fall within the bounderies of the City of Jackson. 

That’s as much as I’m willing to say, but don’t worry, I promise it’s all worth it. In the meantime, the best thing to do with the setting of BRN, and especially the Belhaven, is just take it as casual anachronism, and maybe try to piece together exactly what happened to this world to make everything turn out how it has. 

Characters:

This conversation is a little more complicated. 

There are a great many characters in the books I can’t discuss at all, because to do so would be to provide so many spoilers that it would make the book near-pointless. So, I’m going to stick to discussing the two of the main characters, Sarah and Sibella. 

Sarah is a character with a lot going on. Several people in my life have asked me who I based her on, and there has been a lot of speculation on that, but I’m afraid I will never be able to give any real, concrete answer. The reality is that Sarah came into being on her own, and was helped along in no small part by my editor, who helped me fill in the voids present in her character in the first draft. 

There are parts of myself that I used in the creation of Sarah’s character, though. Her anxiety and mental spirals are very much pulled from my own mental health struggles. Her fears, frustration, and grief over her past are also, at least in part, based on pieces of my own life I find frustrating or shameful. Perhaps, though, the thing that is most heavily based in my own experience is her penchant for blind, foolish overconfidence. More than once I have, to borrow a phrase from Andy Griffith, gotten my britches caught in my own pitchfork. While exactly what happens to Sarah because of her overconfidence is beyond what I myself have experienced, those decisions are based almost entirely on my own past behavior. Her casual bullheadedness is based on no single person, but a broader concept of how I remember myself and so many others behaving at 19. Her apperance is another thing from nowhere, pulled together from disparate places to form a single character. 

Sibella, however, is a much easier character to unpack. The inspiration for a “magic falcon made of paper” is quite obvious for anyone who’s ever seen THE PAGEMASTER. The idea of animate creatures made from the pages of books inside a massive library has always stuck with me, and that image was front and center as I crafted Sibella. Originally, he was supposed to be an owl, but after further consideration of what a nocturnal life cycle would mean for the plot of the book, I shifted away from that to a Peregrine Falcon. Looking back now, I think I would choose a Red Tailed Hawk, native to Mississippi if given a second pass at the first draft, but by the time I thought of that, Sibella’s identity as a falcon is too deeply rooted in his character and my own internal image of him. I do think, though, his non-nativeness to the enviornment around him will become something I address in a future book. 

Also, to air out a part of his character that was not on purpose: No, when I created him I did not know that Sibella was a Greek word for a prophetess. I also did not remember the female vampire character from Scooby-Doo GHOUL SCHOOL, though I have seen that movie. It was all happenstance. I thought of the name Sibella and it stuck. It is absolutely possible that the name was rattling around in my head from something I read about Ancient Greece or that movie, but if pressed at the moment, I would have claimed the name was my own invention. Perhaps this little mix up will make it into the story somewhere in later entries, we’ll see. 

Those are the only two places I’m going to go into any real detail on my inspiration. I thought about including sections on the plot and world building, but I think discussing either of those subjects in too much detail will pull some of the magic out of the story itself, so sorry. Maybe when book 2 is closer to release, we can have that conversation, but not just yet. 

For now though, I think that about covers it. I can’t wait for all of you to read this book. I hope you love it at least half as much as I do. 

Thanks for Reading. 

June ‘25: Speculative Fiction, Genre, and the Trouble with Labels

Thanks for Reading!

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

BEYOND THE RUINED NIGHTS is now available for preorder. You can see the announcement here.

It’s available everywhere you buy your books. 

Want my recommendation on where to preorder?

Get the Ebook here: Campfire

Get Paperback and Hardback here: Bookshop.org

Project Progress:

Publication for BEYOND THE RUINED NIGHTS is still on track!

I haven’t made much more progress on Book 2, because I’ve been tied up with publishing stuff. 

Other projects are still currently on hold. 

At the June Meeting for the private writer’s group I run in the Jackson Metro, during the critique of a member’s work, we ended up discussing the finer (one might even say granular) details of the Fantasy Genre. That is to say, the many, many, many, sub and micro Genres that actually make up the big, umbrella term of FANTASY. 

Recent Fascinations: Too Many Damn Genres

What I’m really saying here is that, as someone who is both fascinated by the nuances of genre as a whole, and someone who is intimately invested in the terminology, I started asking particularly…specific questions about the piece. The piece was great, by the way, but as I asked my questions I realized that the other writers in the meeting didn’t quite see them as absolutely vital questions. That isn’t to say that I think genre terminology is some ironclad topic that should always be treated as the most important piece of the writing process. Instead, I think it is more of a marketing necessity, and one that the previous generations of Fantasy writers did not have to deal with. 

That isn’t to say that there hasn’t always been genre delineation. Speculative Fiction, the old man genre that eventually split off into Science Fiction and Fantasy, which nowadays is reserved for more “literary fiction”, was in and of itself a term to help categorize the various books out there. Once Fantasy found its true footing, really around the time of the publication of LORD OF THE RINGS, the greater genre delineation started to become common knowledge. 

For decades, the core terminology worked as follows:

  • Epic Fantasy-Wide spanning, epic worlds, end of the world stakes. Example: LORD OF THE RINGS. 
  • Heroic Fantasy-A single, heroic figure versus the forces of evil. Example: Conan the Barbarian and Elric of Melnibone.
  • Urban Fantasy-Fantasy set in the “real” world, typically more grounded. Example: The Dresden Files. 

Of course, there were always conversations around what fell into what sub-genre, and where things like DUNE belonged, which eventually spawned its own subgenre of Sci-Fantasy along with a handful of others. For the most part, though, these categories were embraced by publishers and turned into usable, categorizable things, things that readers could at least partly rely on to describe the book they were planning to read, and handy labels that writers could use to quickly give a sense of the tone or feel of their work.

Since about the 80s and 90s, though, things have started to get a little more complicated. Sticking to fantasy for the sake of this particular discussion, there were a number of things that started to happen that further muddied the waters. First was the specification around what LEVEL of magic a story dealt with. Terms like “high” and “low” fantasy came to define entire sects of the genre. The more overt the magic, the closer it came to “high” fantasy. Then,  when writers like Glen Cook and George R.R. Martin popularized the “Grimdark” genre, which focuses on low magic, epic stakes, and gritty character portrayal, the tendency to micro-name genres started becoming more and more common. This only became infinitely more complicated in the late 2010s and the early 2020s when short form social media content created an entirely new type of fiction analysis, one hyper-focused on categorizing more and more specific genre traits in an effort to identify the crux of a readers taste, eventually, or at least possibly, removing the possibility of a “disappointing read.”

Regardless of what anyone may think of this desire to cull out any potential bad reads, I think it’s a horrible idea for the record, especially for writers, one undeniable fact is that it has led to an explosion of micro-genres. 

A handful of examples:

Romantasy, a combination of fantasy and romance, where the romance is as central as the rest of the plot elements. It has its own host of sub-sub genres. (i.e. ACOTAR)

Magepunk, a type of fantasy combining elements of the steampunk genre with high magic. Partly popularized by fantasy titan Brandon Sanderson, it’s another genre that is easing up to the line of science fiction in a way that often makes the science fiction hardliners very irritated. (i.e. Mistborn and Arcane)

Cozy Fantasy, which takes the traits of slice of life anime and injects it into a western fantasy setting. This one, I think, anyway, is the most recent example of an industry disruptor and seems to be growing in popularity day after day. (i.e. Legends and Lattes)

LitRPG, a sub-genre focused on the DND-like progression aspects of fantasy. This genre is another that is currently taking the world by storm, despite having been around for more than a decade. (i.e. Dungeon Crawler Carl)

I could go on and on, listing increasingly obscur sub genres, but I think the point comes across fine with just this handful. Fantasy, and on a broader scale, all genres of fiction, have started to fracture into more and more specific subcategories. 

Now, all of this isn’t to rant unobstructed to a captive audience about why I hate what social media did not genre fiction, that’s another conversation entirely. Instead, what I’ve been building up to is this:

The limit has been met on genre categories and their usefulness as marketing terms, and even publishing and distribution companies are realizing it. 

For example, my book is decidedly sci-fantasy, but that term has never been accepted by publishers, so when I prepared to publish it, that option didn’t exist. So, in turn, I was stuck going with the decidedly less attractive “Dark Fantasy”, which isn’t even a sub-genre I’ve gone over today. It is, by whatever definition you find, essentially fantasy imbued with at least some degree of horror elements. However, because of the degree of magic in my story, it is high fantasy. So is it then a high dark fantasy? Well, that isn’t an option. So I either have to choose high fantasy, or dark fantasy. Since my story isn’t set in a medieval-appearing world, I went with Dark fantasy, and I’m decidedly not happy about it. 

How would I define my own work? Southern sci-fantasy, quite plain and simple. Or, more tightly, just Mississippi Fantasy. But that’s too specific, and again not available on publishing platforms. 

What I believe is that we have hit a kind of singularity on genre division. Publishers are beginning to find the divided terms less and less useful, writers are struggling to define their work using the more nuanced modern terminology, and social media communities are steadily fragmenting into increasingly siloed, specific in-groups that revolve around a single set of genre tropes. 

Where does that leave me? I think, for SONG OF CALARINE, I’ll stick with the Southern Dark Fantasy idea, and rely on marketing materials to drive home that there’s sci-fi elements. I don’t really know where it leaves the broader landscape, and I’m not sure what direction this sort of thing is heading. Could a collapse of genre terminology be in the future? Almost definitely, as the term and tropes begin to hit critical mass, but what comes out on the other side, I have no idea. 

Maybe some of the writers working in these experimental micro-genres like solarpunk and hopepunk and so many others will be lauded as the heralds of the future major genres. 

I guess we’ll see, but regardless of what happens, I’ll always be here. Writing, mostly, about Mississippi. 

Thanks for reading. 

May ‘25: The Growing Terror of the Light

Thanks for reading! 

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

My short story “Voluntarily Mandated Training Seminar” was released for free last month. You can read it here.

BEYOND THE RUINED NIGHTS is now available for preorder. You can see the announcement here.

It’s available everywhere you buy your books. 

Want my recommendation on where to preorder?

Get the Ebook here: Campfire

Get Paperback and Hardback here: Bookshop.org

Project Progress:

Obviously, publication for BEYOND THE RUINED NIGHTS is on track for AUGUST 16th. Full event announcements are coming next month, stay tuned. 

I’m working through book 2, and I’m about halfway through. 

Other projects are still on hold. 

Recent Fascinations: The Growing Terror of the Light, or Why I’m Starting to Stress about August

Well, after last month’s rather somber tone change, I can at least say that this month’s entry will be back to talking about writing. 

So, my book comes out in right around three months. It’s available for preorder, though I have yet to have anyone preorder it. That doesn’t necessarily come as a surprise, but it is a little disappointing. That, I think, sums up exactly where I am mentally about the upcoming release of my book. 

Existentially terrified. 

In recent weeks, as I’ve basically done everything that I can to prepare for my book coming out, I’ve found myself abjectly terrified of what will ACTUALLY HAPPEN when the damn thing comes out in August. Will my hopes come true and I’ll attain at least some degree of local celebrity for the release of my book? Will I sell out of books and have to cancel events because I can’t order enough fast enough? Or will the absolute worst case scenario happen, and across two months of events I don’t manage to sell more than a handful of books, with any reviews being bad ones?

I don’t know, I can’t know, and that’s driving me insane. 

I don’t mean to sound like I’m doomsaying and having some major crisis of confidence. Instead, it’s more that, as time comes ever closer and the undeniable fact becomes that people will be reading my book, I don’t know how to handle that. 

This feeling, this perpetual sense of growing terror of the light that is soon to be shone on my writing, is something that I don’t think I know how to handle. BEYOND THE RUINED NIGHTS isn’t perfect, I know that and have known it this entire time, but it is deeply personal. It is an examination of my own mental health struggles, an exploration of pieces of my past, an exploration of the divided ideologies I sometimes find myself existing within. It is also a look at my home, how I see it, and what it means to me. So, then, what if it’s hated? How can I be expected to handle that with any semblance of grace? 

I don’t have an answer to that question, which to be fair is a kind of ridiculous hypothetical to even try and answer, but I do think it highlights where I am about the whole experience of publishing. I’m excited, I can’t wait for the book to come out, and I desperately want it to do well. But, the idea of people reading it makes me want to crawl in a hole and disappear. 

The Growing Terror of the Light. 

Thanks for reading. 

VOLUNTARILY MANDATED TRAINING SEMINAR

Interior: A nondescript government conference room. At its center, a table large enough to seat thirteen. At one end a smaller table butted perpendicular against it, the false grain that veneered its chipboard top a different shade and pattern than the other. It sat a half inch lower than the main table, just enough to make the passing of documents, the only thing of note that ever happens inside of a government conference room, difficult. The perpendicular table had space for three chairs on one end, chairs of slightly better quality and in turn slightly more important, though perhaps both were only perceived. 

The walls of the room were beige, of course. All walls in all government conference rooms have always been beige. It is a foundational law of the universe. The lights above, crystalline white in their illuminatory nature, were fluorescents. They thrummed a steady beat in time with the happenings within, whatever they might be. Perhaps there were flags, perhaps there were awards, and perhaps there was a legal bookcase, inside it the codes of law that governs even the government. Those things are largely unimportant, as flags and laws often are. What is important is the interior as it has been given so far: two tables, beige walls, and fluorescent lights. It is in that room that things began, as the room demanded, in a daze. 

#

He awoke upright in one of the many chairs at the big table. Though names are unimportant for this tale, he was called Smith. Of course he was Smith, because all men of all places had always been called Smith. What he looked like was also unimportant. He appeared exactly as he appeared, no more or less attractive than all other people. The aesthetics of his clothes and the lines of his jaw were unimportant to the events that occurred within those beige walls. The chairs around the table were only half full, of course, for no government conference room has ever been full. The three who sat in the Important Chairs did not appear to be the Important People. It was not the kind of meeting the room was built for. It was a training, voluntary though very much required, on a thing Smith already understood. 

The attainment of consciousness was slow. At first, his vision returned, and Smith looked around in a moment of confusion. The faces of the others, even that of the man who stood at the podium near the far end of the room, were blurred and incomplete. He saw that the woman next to him appeared to have a mouth constructed of a great, moving mass of putty, and he wondered if he had a mouth of putty. No, of course not. He appeared as he appeared. A person, correct and constructed as a person was expected to be. He wondered, only for a fractional moment, if that woman had once been Robinelle, but before the fractions could solidify into their natural state of wholeness, he forgot who Robinelle was. He could only assume that his faculties had momentarily ceased operation, and now his sense of vision was returning in a way that distorted the faces around him and confused him of their identities. Of course, that had to be it. All would return to normal, as people should never look like smeared putty, and especially not the assumedly educated and qualified individuals who would occupy a government conference room.

The return of vision was followed soon with the return of touch, the faux leather sticking to places where enough skin was exposed to facilitate the process. The temperature of the room was tepid, not too cold but warm enough to increase perspiration in the areas Smith had hoped he would not perspire while indoors. The return of touch was short, because there is very little to touch inside a government conference room besides poor leather chairs. He ran a finger along the veneer top of the table, realizing that it was a false veneer, a plastic and rubbery thing so far from wood that it could hardly be called a tabletop. It was a rubberized replication of a minor lie that sent a comfortable feeling of familiarity into the center of his being. Falseness was something he was familiar with in the contextualization of employment by the government of his residence. 

Perhaps insulted by touch’s quick return, hearing crashed into Smith’s ears as if the entirety of a jazz ensemble had erupted into being just within the edges of his ear canal. His mind reeled as the ephemeral Cab Calloway called out in his mind, forcing him into full and proper being whether he wanted it or not. He jerked, his elbow snapping onto the edge of the liar’s table. A shock of pain screamed through his body. He started to shriek, but the thought was ejected from his mind as if it was the most foolish thought to ever occur. The scream died just behind his lips, and his eyes settled on the man at the podium, a hand rubbing at his elbow. As the screaming return of sound subsided, the steady thrum of the lights above filled him ear to ear. His hearing was coming around and he could finally make out the training. It pulsed in time with the fluorescent metronomes above.

“As you will see,” said the dark-haired man, “there are many general categories of governmental procurement.” The man spoke through a jagged crack of a mouth that split the smear of his face from one ear to the other. Beyond the mawed smear of putty were no teeth, just the empty black ichor of the endless.

Smith sank into his seat and ran a hand over his eyes, strange-feeling eyes that weren’t quite right, but there was no time for that. His mind was focused on a single, acute purpose: finding a way out of those beige walls. He wondered if this was some sort of horrible punishment, procurement the vile thing that it is, but he knew that was not possible. Of all the topics which are spoken of within the beige cages of government conference rooms, procurement surely occurred most frequent.

“There are many actors in the procurement process, but it is, of course, important to remember that we are not looking at information technology services here.”

The others around the table laughed, though Smith had no idea why they would be laughing unless they were truly cenobites, and he truly was in hell. No matter though, he had been in that place a half dozen times before. He knew what to do. He knew where to go. The sacred land. The land of beauty and safety and silence where none questioned your reason for being. 

He stood up, and the others at the table turned to look at him. The dark-haired man at the podium orating his horrible opera of capital stopped and locked eyes with him. The man’s staring inquisitor’s eyes seemed strange, hazed in a way that sent a shiver down Smith’s spine. 

“Gotta step to the restroom,” Smith said. His mouth felt thick and cottoned as he spoke, but he knew it was the nervousness. There was nothing else it ever could have been. With those strange eyes locked on him, it felt normal, perfectly, completely normal, to be nervous to the point of cottonmouth. 

The endless, hazing eyes of the man bore into the back of Smith’s head as he turned to the door and walked in quick, apologetic steps. A thin buzzing silence emanated from the scene behind him, but as he touched the brass handle of the simple wooden door, his heart fluttered. He could feel the freedom on the other side. He turned the handle and the door opened with a groan.

#

Vision. Silly putty faces of the other attendants. 

Touch. Horrible, lying leather chairs. 

Hearing. A screaming return. Hee-de-hee-de-hee-de-hee.

“OPQRM is responsible for overseeing the daily execution of purchasing authority for around ninety-nine percent of state agencies,” said the dark-haired man at the podium. “They, of course, promote an economy of efficiency in procurement entities across the state.”

Smith’s insides screamed against him. Nothing made sense. The door, then inside anew. Reborn into consciousness in the same training. Torment. Perfect, total torment. That is what his irrational brain screamed at him as he sat there, the song of procurement seeping into his mind. Of course, he knew it wasn’t really his own hell, because it was tepid in those beige walls and hell was hot, according to Brother Donalds of the First Glorious Missionary Baptist of His Savior, say amen and hallelujah. A slip of consciousness is the only thing he could think of. Besides, hell surely would be somewhere worse than a government conference room. 

“SQR, of course, covers a different piece of the procurement puzzle. They are, and their staff, as well as their relationship to the board, in charge of oversight of procurement contracts for personal services.”

The others at the table nod as if nothing more sensical has ever been uttered. Smith sank deeper into his chair, wondering if he could use the bathroom as an excuse again. It appeared to him that none of the putty-mouthed attendees had noticed or remembered his previous exit. He stood up and nodded and motioned over his shoulder, and then he trotted to the door again. The handle was the same, and the door was the same, and the step across it was, predictably, the same. 

#

Horrible sight, renewed. 

Horrible touch, renewed. 

Horrible hearing, god damned renewed. Poor Min, poor Min, poor Min.

A new tickle at the back of his mind. Smith saw himself hiding in the bathroom. Returning home to his small ranch house along the eastern edges of some old suburb. He tasted dinner. He felt the warmth of his wife against him as they made love. He felt the rumble of the commute beneath him. He heard the chime of his computer, the clicks of opening his email. All of it, though, felt as if it was the most distant thing that he had ever experienced. A whisper of a memory, not really his or anyone else’s. All that was real was the beige walls and the thrumming pulse of the lights, both ruled over by their veneered gods. 

“The basic beginning of the procurement process must, as you all know, begin with the undenied blood sacrifice of your next-door neighbor’s first-born daughter,” said the dark-haired man, though his hair was no longer dark. It was the soft gray of television static. Of course it was, all hair of all people had always been the soft gray of television static. His denotation as the dark-haired man could not change that fact, no matter how hard it tried within the confines of Smith’s boiling mind. 

Another of the people at the table raised their hand, a new development. Smith watched with bated breath. Answers must await beyond the questioning, twinkling fingers of that grade school gesture. 

“Yes,” said the split putty mouth of that gray haired person. They had been a woman the times before, Smith thought, but he couldn’t be sure. The people at the table now appeared a great mass of sameness. “Yes, I wanted to ask, um, what we are supposed to do if our nextdoor neighbor does not have a first-born daughter?”

The once-dark haired man smiled and nodded. “Of course. The process dictates that then you should take your neighbor in the non-existent daughter’s place, and, prior to the holy bloodletting, beat them severely for the failure of their loins. Excellent question Abanakateonet. Any other questions?”

Smith sat up from his chair, no longer able to handle the scene laid out before him. He had known Abanakateonet his entire life. He had known their children and their neighbors. Abanakateonet had always been Mary Kathryn Robinelle, he was sure of it now. She had always been the loving mother of three with gentle eyes and beautiful red hair. Now they were a static haired thing, split puttied mouth of horrible dimensions. In hurried, angered, terrified steps, he rushed to the door. 

Handle. 

Groan. 

Step. 

#

Sight, for all must see his glory. 

Touch, for all must feel his gift of corporeal form.

Hearing, for all must hear his gospel.

Speech, for all must evangelize in his name, can you say hallelujah? 

Those around the tables wore their horrible, split putty mouths, and their gray hair shifted in a crackling haze of static. Their eyes were the hornet’s nest of white noise they had always been. That all eyes had always been, forever and ever and ever, amen. The people at the tables were mumbling something low and forbidden, and for a moment Smith could understand none of it. He looked over his shoulder and saw the blank beige totalitarianism where the door had once been, but that was okay. The words of the people were growing ever clearer, and the low buzz they produced felt familiar and comfortable. Right in its perfect holiness.

“For then you will go out,” said the once-dark haired but now nothing man at the podium. “You will go out and you will prophetize in his name, the name of all names that has always existed in all places. The name of that which is your name and my name and all names of all things that have ever needed to be named. We are it and it is us and we are them and he is all. Ashet Tet!”

The others at the table banged their fists on the veneered top, and Smith did the same, though he did not know why. The name, the holy name at the root of it all, of everything, of beauty and culture and life, was so warm it compelled him to follow. Do as the others do, for what they do is right. Say hallelujah and amen. It’s Ashet Tet and beige walls all the way down, little brothers and sisters. 

“Ashet Tet!” bang!

“Ashet Tet!” bang!

“Ashet Tet!” bang!

Things no longer felt quite as strange as they had before, his consciousness was the comfortable buzzing that it was always supposed to have been. Smith looked across the room to the far wall at the small, round mirror that hung there. It was the mirror that had always hung on the beige walls of all government conference rooms in all places in all times. He stood up from his chair, and the others at the table did not turn to look at him. Their drumming chants continued on and on and on. The name above all names, the eternal god of the things beyond touch and comprehension, punctuated with the thudding report of lying tables. With each thunder of sound, the fluorescents above trilled a high, squealing hum. They were a singing choir to the congregation’s confirmations. 

At the mirror, Smith looked into its shimmering reflection and let out a low, thankful sigh. Everything appeared exactly as it always had. His hair was a wisp of snowy, static gray, the same pallor that covered their skin in a buzz of light. Their eyes shone out as two empty sockets of rolling white noise, a gentle hiss emanating from behind their lenses. Their mouth, gray as it had always been, was a smear of wet potter’s clay. As they heard the drumming reports go on, that horrible mouth cracked open in a jagged, craggy grin. From their maw came a low growl, a whispered thankfulness for the comfortable sameness the god above all gods had blessed them all with.

“Ashet Tet, forever and again.”

April ‘25: A World Under Attack

April ‘25: A World Under Attack

Thanks for reading! 

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

No new updates. 

BEYOND THE RUINED NIGHTS is on Storygraph and Goodreads. Add it there. Stay posted as release month gets closer! 

Project Progress:

I’m making steady progress on Song of Calarine Book. I’m about halfway done with the rough draft of it. 

Publication process for BEYOND THE RUINED NIGHTS is plodding steadily along, and I’m still on schedule to hit my August plan. Ebook preorders will be available early may. 

Additionally, the promised previously released (under a pseudonym) short story is coming in may. I’ve decided to postpone it, as my mental space has been taken up by something we’ll get into in a moment. 

All other projects are still on hold until after I release BRN. 

Recent Fascinations: A World Under Attack, or Why the Humanities Matter

Last month, when I sent my newsletter out, I mentioned shifting to a new job and how that might lead to me discussing and writing about some more political topics in the future. I didn’t know, when I sent that out, what was immediately ahead, and what was going to be resting so firmly at the center of my mind when I sat down to write April’s newsletter. 

Across the country, humanities organizations are under attack. Both the National Endowment for the Humanities and the Institution of Museum and Library Services have been the subject of intense federal cuts under the new administration. There’s a lot I could say about this, a lot I could put out there as analysis or description of the situation. I struggle, though, to put together any coherent thoughts not layered with intense, personal anger. I, also, am a little too close to the situation, I think, to provide any real information without it turning into an emotional diatribe. So, if you are reading this, hoping for some detailed, analytical piece of journalism on the topic, I am sorry to disappoint. 

However, I feel I have a responsibility to be sure you all understand what is happening and what the situation is.  In Mississippi, the Mississippi Humanities Council has had its funding from NEH completely cut off, and libraries and museums across the state are in limbo while federal funding from IMLS sits frozen. I know, though, that I can’t make any of you (those of you who don’t already) care by talking about funding and bureaucratic nuances. I won’t appease the better parts of your collective humanity, or ask you to call your political representatives, either. I hope that is something you’re already doing and I hope, if you’re here reading this, that you do not need me to plead with you to understand why attacking libraries and museums is, without question, bad. 

History is littered with regimes who have attacked the humanities and the arts. Books were burned in Berlin streets in Nazi Germany and paintings were destroyed. In the 1800s, in our own nation, generations of cultural art were destroyed as Native Americans were forced from their homes and onto the Trail of Tears. I grew up in the tiny, tiny town of Seminary, Mississippi. I wasn’t the best student, not by any measure, but as I sit here in this unprecedented time, I have found myself thinking back to those earliest moments in that rural Mississippi town during the early 00s. 

In that school, I was taught that people are fundamentally good. I was taught that oppression, of any kind, is undeniably wrong. I was taught, by everyone in my life, that anyone who tries to suppress what you read, what art you enjoy, is up to no good. Beyond that little school, my mother taught me a few things about this too. That you treat people with patience and respect. That there is never an excuse for hate. That, under no circumstance, should you EVER apologize for caring. 

She taught me too, that burning books, or any of its near cousins, was an ultimate evil. Perhaps, if more of these ignorant, angry fools had a mother like mine, or teachers like I did, then we wouldn’t be here. They wouldn’t be ashamed of the art around them that makes them so thoroughly question themselves that they reject it with deep, blind horror. With violence. 

The humanities, art, and honest, accurate history, are no threat to you, unless you feel you have something to hide. Or, perhaps more horrifying, you feel that you, and those like you, are better than others. That you have a duty to suppress the other. I don’t know where things are headed, where we (America) will end up, and despite my tendency towards pretentious pontification, I won’t hazard a guess. 

Instead, I think the last thing I want to leave you with is that same advice my mother gave me. Don’t hate, dont apologize for caring, and don’t let the bastards pull the wool over your eyes. 

And remember, the people who are trying to tell you what you can read and who you can love are ALWAYS the ones up to no good. 

A Final Aside: Love is the Uniter

When I wrote the above section of this newsletter, it was early April, and the news on the MHC was fresh. I was, I think you can tell, angry. I was, and in some ways still am, hurt by the actions of the world I see unfolding in front of me. But I think in the text, the anger is most prevelant. I wrote that piece as someone angry, furious, looking for a fight. Part of me is hesitant to publish it now as I write this new addendum in late April. The compilation of this newsletter took longer than I anticipated, and since then my anger has cooled, if only a little. To be clear, I still feel upset at what I see, at these attacks on institutions I hold dear. I am still worried about what this means for my home, our world. But, I think the anger in the above is just that, more anger. More flame. More fury. It is the anger there, the harshness in my words, the absolutism, that makes me hesitant to publish it. I think, though, that I owe that anger its vent. I owe my friends at MHC that anger. 

Still, I don’t want to end this thing on some message of anger, some grandstand about standing up to tyrants and liars and manufactured pretense about my moral raising. In the interim between that original writing and what came later, I’ve thought a lot about what remains to be said. What is the alternative to what I see going on in the world around me? Finally, I think I have at least some answer that satisfies me. 

Love. 

Go for long walks and watch the way the trees move in the wind.

Stand at the edge of  the Pearl River or the Okatoma or the Leaf or the Pascagoula or wherever you are and watch the way it moves.

If you are a parent, hold your child a little longer. If they make you angry or frustrated, revel in that human, beautiful emotion. 

If you are lucky enough to still have living grandparents, call them. Ask them how they are. Tell them you love them. 

Talk to your parents about little things, about the weekend, and the weather. Be near them, love them.

Call a friend to tell them you love them for no reason besides it’s true. 

Plant a garden, and when the harvest comes, share the fruits of your labor with friends, with coworkers, with a neighbor who’s name you don’t know. 

Read a good book.

Watch a movie you love but haven’t seen since highschool. 

Really, what I’m trying to say, is to live. Live a real, human existence. Love yourself, your family, your neighbors. Regardless of what bad news there is, love. 

In my life, for all of my life, I have had a propensity to declare my hate for something at any moment. A hatred for a person, a hatred for a thing, a hatred for a concept. More than once in my life, people have commented on that, and I’ve brushed it off, but now, in a world where so much hate is real and palatable, I find myself weary of my own behavior. My hate. 

I know that this might read as somehow worse than the pretentious moral absolutism of the earlier section. It might be something saccharine, soft hearted. Those behaviors are not something I tend to default toward, but in times like these, I think often of a quote from Tolkien: 

“I wish it need not have happened in my time,” said Frodo.

“So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”

With whatever time I have, I don’t want to hate anymore. All I want, quite simply, is to love. 

What greater act of resistance could there be than to Love in the face of Hate?

Thanks for Reading. 

March ’25: Shifting Tides

Thanks for reading! 

Any support, even just giving these posts a read, is always appreciated.

Recent Updates:

For once, there’s a LOT of updates to be had. 

First, BEYOND THE RUINED NIGHTS is on Goodreads and Storygraph now. 

Goodreads

Storygraph

Also, if you’ve been following along on Facebook or Bluesky, you’ll have seen me making several recent announcements for events. 

Here’s a calendar for everything planned for August and September so far:

Remember, BRN hits AUGUST 16TH. 

The Song has yet to be Sung. 

Project Progress:

I’m making steady progress on Song of Calarine Book 2, but don’t have any major updates to share so far. Other projects are, of course, still on general hold until further notice. 

Recent Fascinations: Shifting Tides and Heading into the Unknown

A lot is changing in my personal life that has me looking back and reflecting on my career as a writer these last few years. Lately, I’ve been wondering where I’m heading on the long road ahead. Before I can get into everything, I guess I need to lay out exactly what the major change coming in my life is. 

For right at four years, I’ve worked for the Mississippi State Legislature. I won’t go into too much detail about what exactly that job has been, that information is out there if you really want it, but that job has, in numerous ways, influenced what I have written over the last handful of years. I don’t say that to mean that I’ve written in genres I wouldn’t normally have written in, or that BEYOND THE RUINED NIGHTS wouldn’t have happened if I hadn’t been at this job. Instead, the hard reality of the situation is that, as part of the job, I had to live my life under a non-partisan agreement, meaning I could not, in any meaningful way, engage with politics on a public level. That included, quite intensely, my writing. Well, at the end of this month, I’ll be changing jobs. I’m headed back towards public humanities, the field I went to school for, and I’m so excited. 

So, what does that mean going forward? It means that there are stories I’ve had sidelined for years that I might start workshopping and putting out there again. They were set aside because at their center lies, at least to some degree, some political angle. There is one story I put out under a pseudonym not long ago that I’ll be making publicly available under my own honest name. It also means that things in the background of BEYOND THE RUINED NIGHTS will be pulled into the forefront in the sequel. There’s a criticism of organized religion in the sequels I planned to downplay originally, but now I imagine I will make that much more central. There’s a lot that will likely change depending on the kinds of things I write. 

There is something else, though, that will likely change about my writing, and that’s how often I will be able to literally sit down and write. During my time at the legislature, there have been moments where I have had whole lunch breaks to write, nearly every day, in fact, and there has been essentially no work required of me outside of the typical 40hr a week schedule. This new job will require a lot more travel, a lot more being out and about with the public. All of that is great, it’s what I went to school for, but it also means there will be fewer days where I can write for an hour or more uninterrupted. I may, more often than not, revert back to my college days of being a weekend-only writer, and I think it’s pretty obvious how that will affect everything. It’s going to slow me down quite a bit. 

That doesn’t mean that I’m going to be focusing on writing less, it just means that my output may slow. This newsletter may be late more often, it may end up going quarterly instead of monthly if things get bad enough. It might, also, mean that some events from August and September get rescheduled or moved around, but that will be clearer in the future. I plan, or hope, to do everything I can to prevent too much of that kind of thing. 

All in all though, the coming changes will be positive, I believe, and I feel confident in saying that the quality and the honesty of my writing will be better in the future. Regardless, though, I thank each and every one of you for coming on this journey with me. 

Thanks for reading. 

February ’25: Marketing as an Indie Author

February ‘25: Indie Author Marketing

Thanks for reading! 

Any support, even just giving these posts a read, is always appreciated.

Recent Updates: 

The covers for BEYOND THE RUINED NIGHTS are completed. Check them out HERE (http://billyloperhistory.com/uncategorized/cover-reveal-beyond-the-ruined-nights/). 

BRN will be coming AUGUST 16, 2025! 

The Song Has Yet to be Sung. 

Project Progress:

I’m 30k words into SONG OF CALARINE BOOK II, and plugging along. I’m in no rush to finish this one until BRN is out and in my hands, so don’t expect rapid progress until then. 

As far as the other projects I’ve mentioned, they’re all still on hold, and will be until BRN is published and Book II has a completed rough draft. 

Recent Fascinations: The Existential Horrors of Indie Author Marketing

I waffled back and forth on a lot of topics for this month’s post. For a while, I thought about talking a little about how much I love “rugged artists”, people like Cormac McCarthy, Hemingway, Thoreau, but eventually decided against it because it was too esoteric. Maybe for another month. 

I finally settled on this post, which is just a little talk about how much I hate marketing as an indie author. This is, mostly, going to be something I rehash as part of a larger social-media focused essay I am planning, but this one will also be a little more practical and a little less academic than I expect that eventual essay to be. I know not everyone who reads these is a writer, but I hope you at least get some enjoyment out of it. Most of all, I hope you learn why it is so important to support indie authors however you can. 

It is no particular secret that I have a very real disdain for social media as a broad concept. I try to stay off of it, a thing that I have managed (for the most part) in my personal life. But as BRN’s release date grows ever nearer, I’m finding it harder and harder to stay off social media. I feel like I NEED to be pushing my book, to try and get as much traction as I can. This isn’t some unfounded drive. The simple matter is, I can’t depend solely on word of mouth to sell my book. If I want to give it the best chance I can, then I have to push it as often as I can, in as many ways as I can. Even if some of those outlets and methods are mostly negative and mostly irritating. 

Early on in my publishing journey, before I had even decided to actually self publish, I reached out to the wonderful Quinton Li (you should check his work out; you can find it here: https://www.quintonli.com/) to get their perspective on self-publishing and what it takes to, for a  lack of a better turn of phrase, do it right. Quinton gave me a lot of good insights, especially into the general cost of self-publishing, and pretty much all of it has been a great help as I’ve gone further and further along the road to self-publishing BRN. However, one big part of what they told me was that an active social media presence helped, and that setting up a “street team” helped a great deal as well. 

For clarification, a street team, as Quinton described it to me, is a dedicated group of people who are all connected to you on social media and help promote and share your posts related to your upcoming release. In our discussion we didn’t go into a great deal of detail about the analytic results that they saw from this practice, but I think the potential benefits are obvious. Using a street team would quite easily prevent any of your posts from dying without getting any attention or traction. For me, the benefit was so obvious that I immediately started making plans to build my own street team, including making a cursory list of names that I planned to reach out to. 

However, this is one of the many, many things that I eventually just let fall by the wayside as I continued on my path. I haven’t built a street team, nor do I have any intention of doing so. It’s not because I don’t think it would be a useful tactic, I do, but because the idea of managing a group of people on when and what to post on social media, frankly, makes me anxious. I struggle enough with how to manage what I post, much less how to successfully do so for an entire group of people. It just felt like too much of a distraction from everything else, and I decided to put it aside. 

This, finally, brings me to the crux of this entry and my overall point: For some people, social media is the last thing they want to worry with, but regardless of that, you have to at least do it SOMETIMES if you want to be an indie author and “do it right”. I am not a chronically online person, at least not in this current phase of my life, and I do not use social media in any personal way. That’s a long story I’ve gone into before, but it comes down to me just not particularly liking social media. So, I’ve had to start looking for other, more productive ways to manage my social media presence as an author, and over time, I’ve found an example that I find very inspiring. 

Beau Johnson

Now, for those of you who aren’t familiar, Beau Johnson is an indie author who writes neo-noir crime fiction that is some of the best stuff you can find on the indie space, and really one of the strongest writers in the genre, period (check him out here https://www.bishopriderbooks.com/). Beau’s presence on social media, to me, is interesting, because he’s taken a pretty unique approach of leaning hard into the gritty, indie author aesthetic. Here’s an example:

This faux magazine cover marketing idea has always struck me as really cool, and fitting for the vibes of his stories. It brings to mind the idea of gritty exploitation films from the 70s, of Charles Bronson stalking through the streets of a city cast in fog, hellbent on vengeance. It really captures everything you need to know about his stories, while also providing a fun, digestible social media post. This is the kind of thing I never, ever would have thought of. 

Johnson’s social media presence also isn’t JUST these clever kinds of posts. He has also cultivated a very particular culture around his online presence. It’s never doom and gloom, it’s never caustic, it’s never antagonistic. Regardless of what’s going on in the world, Johnson always takes the time to post something positive. To provide a ray of hope, to uplift other authors. I can’t think of a single time that a post from Johnson has made me feel worse, they always bring a smile to my face in one way or another. 

Now, I’m not going through all of this about Johnson’s social media presence just to praise him for his personal marketing strategies (which deserve praise), but also to show what I see as a, at least from the outside, healthy and successful indie marketing strategy. I’m not sure if I’m going to give this faux magazine cover thing a go, but I wanted to bring it to everyone’s attention while also shining a light on a writer I like. 

All of this is to say that: marketing is a real stressful part of being an indie author. Planning events, planning social media posts, and managing the publication of your book is a lot, and it all forces you to wear a lot of hats. It’s an existentially exhausting process, and any support, even just a share or a like or telling a friend, is so important. 

So, if you have a writer you like, and they announce something or share some news, help them out. Share it. 

You have no idea how much it means. 

Thanks for reading. 

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